![]() One of the main concepts of euphonia, sound organization of the speech in the literary text, is instrumentation. Keywords: Homophony idiolect instrumentation polyphony prose rhythm Introduction Text cannot be easily attributed either to polyphonic or homophonic, any piece of work is complex in its structure and only the entwinement of thoughts, ideas, linguistic and stylistic devices enables us to enjoy the art of the narrative and the expression of writer’s thoughts. In terms of the main results of the research we can come to the conclusion that rhythmic figures of speech, which are characteristic of a given author’s idiolect, text peculiarities, allow us to find a solution to the problem of polyphony and homophony to some extent. ![]() In order to facilitate the process of carrying out the analysis we used PRD (ProseRythmDetector) which is a computer-aided application that allows to do the automatic search and quantity analysis of some rhythmic figures. The aim of our research, whose results are outlined in this paper, was to receive the confirmation of the significance of rhythmic figures of speech in the context of defining the multilayeredness of the piece of work from the perspective of its structure: identifying its polyphony and/or homophony. Drawing the analogy to the musical instrument, we have suggested using the term ‘homophony’ for deciphering the text, in other words, for analyzing its “instrumentation” that can be revealed in a different form and with the help of various devices. ![]() In this regard, the term ‘polyphony’ has become widespread in the field of philology. See chapter 1, Fundamental Musical Concepts and Forms, "Texture.Any literary text has a complex multilayered structure, a whole set of ideas, images and means that form them. I referenced the textbook Music Then and Now by Thomas Forrest Kelly to ensure the accuracy of my answer. If this does not answer your question, please be more specific. This question is categorized as "physics" but I am unsure which sort of physical explanation might be sought after specifically in terms of musical textures. You may compare and contrast these explanations to answer your question. A singer and a guitar, for example, are not exactly homophonic, but close. Note that most pieces are not all one texture or another. An example is the section in the "Hallelujah" chorus where the choir sings "And he shall reign for ever and ever." Additionally, Pachelbel's Canon is polyphonic. A good example is the moment in the "Hallelujah" chorus where the chorus sings a series of "Hallelujahs" in the same rhythm.Ī polyphonic texture refers to a web of autonomous melodies, each of which contributes to the texture and the harmony of the piece but is a separate and independent strand in the fabric, so to speak. Homophonic music has one clear melodic line, the part that draws your attention, and all other parts provide accompaniment. An example of monophony is one person whistling a tune, or a more musical example is the clarinet solo that forms the third movement of Messiaen's Quartet for the End of Time.Ī homophonic texture refers to music where there are many notes at once, but all moving in the same rhythm. We refer to these overall effects as texture.Ī monophonic texture refers to music with a single melodic line (no harmony or counterpoint) sounding the same thing at the same time-whether played or sung, performed on a single instrument or by a voice or voices and instruments playing in unison. More often we might have several different instruments playing together, each with its bit of melody, or a song that has a chordal accompaniment on piano. Most of the music we listen to consists of more than a single melodic line.
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